In Their Own Words

My work at OAEC: 

I help bridge the relationship between people and natural environments, I am an advocate and educator, promoting our beneficial role as ecosystem engineers and collaborators. I help design and implement regenerative, biodiverse, and socially just solutions for establishing and supporting resilient communities. 

My background: 

I was born in Alaska, of mixed Ethiopian-Italian ethnicity. I was raised by a single mother, a nurse and refugee displaced by war. Diverse cultural and ecological landscapes deeply influenced my path. Exposure to the vast wilderness and Indigenous First Nations was foundational and shaped my perspective. I spent my childhood outside, I thrived outdoors. I knew from early on that I was an artist, I loved to draw and make things. I gained inspiration from the wild and from the Inuit cultural art and traditions that surrounded me. When I was in my teens, I moved to Sicily. These were formative years: diverse artisanal customs, and travels throughout Italy, Europe, and North Africa. It was from those years that my interests in anthropology, history, literature, art, and culture deepened. I fell in love with foraging and cooking. I would go into the hills harvesting wild herbs with elders, or go fishing on small rowboats with the fishermen, we would make wine and regional foods. I absorbed it all as I moved from place to place. Study into own mixed heritage deepened as I got older. When I moved back to the United States, I landed in Santa Cruz. At the time, my desire was to be a writer and photojournalist. I studied black-and-white photography. Plants grabbed me instead. I switched my major to botany, and a new path began.

My dream project: 

To travel the world documenting and assisting indigenous land stewardship practices and ancient food systems.

My passions:

My passion is centered in intergenerational land stewardship, culture and tradition; passing down knowledge through skills, storytelling, and integrative systems. My passion is to inspire, to be an advocate for greater eco-literacy, and to reconnect peoples-to-place through hybrid earth management solutions. 

Woodcarving and sculpture are meditative creative outlets, teaching me through the interaction of wood and hand-tools. In the making of traditional art, I feel connected. I find that many of my passions: woodcarving, art, music, cooking, land stewardship, ecology, all have a place of connection: ancestry, nature and tradition.

Why my work matters: 

I help bridge the relationship between people and natural environments, I am an advocate and educator, promoting our beneficial role as ecosystem engineers and collaborators. I help design and implement regenerative, biodiverse, and socially just solutions for all living communities.

My favorite resiliency resource:

I believe awareness is the greatest skill, and nature is the greatest resource. The books 1491, Tending the Wild, Imperfect Balance, One Straw Revolution, Braiding Sweetgrass, and A Forest Journey are inspiring accounts for a greater understanding of our collective history and what resiliency could mean for our future.

What speaks to me: 

Natural refinement, perfect imperfection. Simplicity. Wabi-sabi. Ancient themes. A forest path. The sound of a creek. A scented flower blooming. A garden, a kitchen, a workshop. Museums, music, fireplaces. Knives, axes, and rocks. 

The happiest I’ve ever been: 

After an amazing meal.